Sunday, September 28, 2008

Stage mirrors: Chicago theater reflects issues in the media

We often think art imitates life, but sometimes life begins to imitate art.

The Chicago theater community seems to be holding a mirror to the public. With the recent financial meltdown on Wall Street and the issues that permeate the presidential election, several plays are reflecting the news on stage. Although some theaters chose plays with political context in advance, their timing is uncannily impeccable.

Racial themes in the Court Theatre’s “Caroline, or Change” come at a time when polls show many Americans are hesitant to vote for the first black democratic nominee for president – Barack Obama. The theater’s location in Hyde Park is also around the corner from his house.

Court Theatre wanted to perform this play since its New York production four years ago, but Artistic Director Charles Newell said the theater couldn’t commit to the show until now.

“Did we plan it this way? No,” Newell said. “But we knew the piece itself. It’s emotional storytelling, and the world seems to now resonate around these issues.”

The opening of “The Voysey Inheritance” at the Remy Bumppo Theatre was the same weekend of the meltdown on Wall Street. The story revolves around a family’s fraudulent financial mess as they continue living off of accounts in their investment banking firm with no funds in them.

“Voysey” director James Bohnen said the theater wanted to do a play with political and ethical connections since it is an election year, but the impeccable timing of the opening was not planned.

“Shortly after we chose this play, Bear Stearns fell apart,” Bohnen said. “Obviously we wanted to do something with a political overtone, but nobody could have foreseen the play would open the week the economy fell apart.”

While other plays don’t have the same timing as “Caroline” and “Voysey,” they are still just as relevant.

“A Dozen Guns N Rosas” at the Gorilla Tango Theatre illustrates two women’s views during the stages of life. The play touches on themes such as ethnic stereotypes, the floundering economy and religion, all controversial issues in the election. Director Ed Garza said the show’s approach shows how social and political climate impacts the individual.

“The show doesn’t reflect on political themes as overtly as others might, but it focuses on the characters and how they’re being affected by current events,” Garza said. “It’s not anybody standing up and doing a [Republican Vice Presidential nominee Sarah] Palin imitation and talking about specific issues, but the show talks about every day experiences and how it impacts daily life.”

Second City, no stranger to political and social satire, currently has two shows with political themes – “No Country for Old White Men” and “Campaign Supernova” – that use sketch comedy to talk about the issues and politicians. Co-producer Robin Hammond said Second City always has some political point of view with their shows.

“There’s a lot to talk about,” Hammond said. “It becomes part of a greater national conversation. People are nervous. People are scared. It’s a release to come into an environment like this and just enjoy yourself.”

The public may be afraid of their mortgages and gas prices, but Bohnen said these plays allow them the opportunity to look at the issues in America in a whole new way.

Newell said “Caroline” makes people think about change. “It raises all kinds of questions and issues about how quickly change can come. Change comes fast and change comes slow but change comes.”

Hammond said while these are unfortunate times for many Americans, the current events keep her in business.


“Sometimes, the worst times are the best of times to be in comedy,” Hammond said. “There’s so much material."

For tickets, dates and show times of the plays listed, visit the following sites:

Sunday, September 21, 2008

Blast from the past: House opens season with “Dave DaVinci" redux


The House Theatre of Chicago begins it's run of "Dave DaVinci Saves the Universe" this week. The show runs through Nov. 8 at the Chopin Theatre. For tickets and showtimes, visit www.thehousetheatre.com.

The paradox and possibility of time travel may be nothing new, but now there is a fresh take on the idea.


The House Theatre of Chicago went back in time Thursday for a house-warming party at their new Wicker Park residence with a reinvention of "Dave DaVinci Saves the Universe.” The theater company was at The Viaduct Theatre in Roscoe Village, where the original version premiered three years ago. Now House is at the Chopin Theatre where they’ve brought this science-fiction love tragedy back to life.


Dave DaVinci is a scientific genius who becomes consumed with inventing a time machine to prevent his science-fiction novelist daughter, Perdi’s, death. He suffers from hallucinations about the characters in his daughter’s best-selling books and also from his crumbling marriage with his wife, Nora, who he becomes emotionally and physically detached from. Dave teeters between his obsession with his invention, saving his marriage and whether or not he can prevent his past mistakes.


While there are characters and scenes reminiscent of Star Wars (such as a human-like robot and a large, furry animal manning a spaceship), “Dave DaVinci” uses science as a contrast to the uncertainties of life. This exceptionally written script by Jake Minton and Chris Mathews takes themes of love and free choice and skillfully weaves them within the science-fiction landscape. This isn’t a war to save the Empire but rather a battle between the mind and heart.


One of the fantastic features is the clever use of lights, sound effects and music. The flashes through time are well-mirrored by the flickering strobe lights and thunderous booms. There were a few timing glitches between the time travel sequences and the following scenes, and sometimes the constant transition between one time period and the next was exhausting. However, these glitches were nothing to take away from the emotion or storyline. The brooding music gave the show depth by drawing us into Dave and Nora’s agony and confusion.


The tandem of Stephen Taylor and Dennis Watkins reprised their roles as a past and future version of the title character. They allowed Dave to be the obsessive and grieving scientist while still providing remarkable comedic timing. While Dave is deeply toying with staying put in time or disobeying his future self to travel back to save Perdi, he clumsily keeps sliding down a chair. Stacy Stoltz, who also reprised her role as Nora DaVinci, stood out as a convincingly deteriorated and heartbroken woman. She scolds her husband for leaving in the middle of her performance, then reveals her despair when she repeats, “I can’t do this anymore.”


“Dave DaVinci” does not revolve around the fantasy of time travel. Rather it uses the fictional technology as a frame to the bigger picture. The play notably illustrates the battle between our limitations and capabilities and reminds us that changing our bad experiences changes our good ones too. This is one happy homecoming for House.

Edited 10/1/08 6:34 p.m.

Here is a clip of Stacy Stoltz as Nora DaVinci from House's 2005 production:


Wednesday, September 17, 2008

"Unmarried” unconvincing as fresh comedy

With about half of marriages in America ending in divorce, it's no wonder so many television shows reflect this staggering statistic.


Now there’s another broken marriage to poke fun at with the new CBS sitcom "Gary Unmarried," which premieres Wednesday, Sept. 24, at 7:30 p.m. Gary, played by Jay Mohr, is a painting contractor who finds himself a bachelor again after 15 years of marriage now juggling his responsibilities as a dad and keeping a platonic relationship with his ex-wife, Allison (Paula Marshall). She barges in his house and immediately nags him about the contents of his refrigerator and who gets the kids on which weekend. He has to learn how to deal with two awkward teenagers – his son, Tom (Ryan Malgarini) who only talks to girls online and his daughter, Louise (Kathryn Newton) who hangs pictures of Al Gore and Mahatma Gandhi on her walls.


He complicates matters further when he meets Vanessa (Jaime King), a beautiful woman who hires him for a paint job, but then he ends up taking his work home with him. He is apprehensive to tell Allison about his new love interest until he learns their marriage counselor, Dr. Walter Krandall (Ed Begley, Jr.), is engaged to his ex and tries to give him love advice. Gary is trying to move from his old life into his new one as his relationships are all changing.


Mohr depicts the blue-collar everyman with ease, the jovial guy’s guy whose refrigerator is stocked with beer and little else, sees himself as the cool dad and doesn’t bother to read his therapist’s book “Rules for the Perfect Divorce.” When Allison nags him about Tom’s fear of talking to girls, Mohr delivers a simple yet explicatory response of Gary’s feelings by saying, “He should be afraid of girls. They pretend to like you and then they take all of your stuff!”


Marshall’s portrayal as a nagging ex-wife and self-righteous mom are enough to annoy more than Gary with her bossy demands and strange “juice cleanses” she gives her kids, but she’s rendering the typical role of an ex-wife who thinks she knows better. The report between Marshall and Mohr as ex-husband and wife is a series of zingers that dart back and forth so quickly that although are mostly funny almost seem too scripted and expected. When Allison gives a fleeting remark of, “Bye kids, have fun with your dad; I never did!” it seems more like a cheap shot than a clever quip.


“Gary Unmarried” is directed by comedy veteran James Burrows who worked on such sitcom sensations as “Friends,” “Will & Grace,” “Fraiser,” and “Cheers” to name a few, but “Unmarried isn’t on the level of these comedies because it’s too predictable. While the show aims to throw us into what’s going on the way Gary is thrown into his own situation, the pilot leaves little room to wonder what’s next. Everyone assumes ex-husband and wives bicker, raising children as a single parent is complicated, and reentering the world of dating after divorce is daunting and intimidating, and the show doesn’t bring anything new to the table. Ultimately, “Unmarried” is just another comedy about divorce.

For a preview of "Gary Unmarried" check out the clip below:




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Edited 9/22/08 7:41 a.m.